The Thief and the Cobbler

By Phillip Moss

The Cartoon That Almost Was

Written by Charles Phillip Moss II

Does it ever occur to you that something exciting is about to happen but it has disappointing results? Well, “The Thief and the Cobbler” is one of those great examples. A movie taken away from its maker to a man using it for the wrong purpose.

Richard Williams, a gifted artist who had a dream of making the best animated film ever, to be filmed in Cinemascope. He wanted to make a film that would change the way we look at animation, pictures moving in a smooth, colorful, well-timed manner that would blow you away. That movie is called “The Thief and the Cobbler”; a story about a thief who steals anything he sees appealing, and one day he steals three golden balls on top of a minaret. Now the three golden balls play a role in an ancient prophesy.  The prophesy states that if the balls are taken away, the golden city in the middle east will come to destruction and death. The cobbler, named Tack, is a talented young shoemaker who tries to save the city along with a beautiful princess named Princess Yum-Yum, and a band of ugly, dim-witted, brigands who they meet in the middle act. The villain, Zig-Zag (played by Vincent Price), is the kings vizier, a sorcerer, who wants to not only overthrow the king, but marry the princess as well. He talks in rhymes, which not only makes him a weird character, but a clever villain. The whole film has everything that will make you laugh, cry, and thrill you with its beautiful art design, backgrounds and smooth texture. The thief character is a very funny “wile-e-coyote” type character that uses various tools and plans to steal his targets. The cobbler has white skin and resembles silent film stars such as Charlie Chaplin and Buster Keaton, making him a silent character. What’s also interesting about him is he doesn’t have a mouth; he uses tacks in his mouth as expressions. Other elements in the film include magic, a crazy annoying witch and a demonic army of one-eyed barbarians.

Starting in 1968, his original concept was an adaptation of “Nasruddin,” an Arabian knight tale, but it was scrapped for an unknown reason so he instead came up with an original storyline, “The Thief and the Cobbler”. He got the voice actors to do their work, and from then on spent nearly 28 years trying to complete his animation masterpiece. In order to finance the film, he spent his spare time working on commercials for television in the 70’s and 80’s. Then in the 80’s, Robert Zemekis and Steven Spielberg asked him to help animate the title character in the 1988 hit “Who Framed Roger Rabbit”. The film won him an Oscar for best visual effects and also a life achievement award for his commercial projects. And with the profits he made with the film, he now had the opportunity to finish the film. However, in 1991, at Warner Bros. ©, he was 15 minutes away from completing the film, but the executives were getting worried because the film has gone over budget and overscheduled. It also had big competition with another Arabian knight story, “Aladdin”, the famous Disney film that actually bared similarities with the thief movie (in theory because during the making of Roger Rabbit, Richard showed some people at Disney his unfinished reel with some completed footage, and some writers were probably taking notes). So then, the executives asked Richard to show them the film, with 15 minutes of storyboards and pencil tests and other incomplete footage. They didn’t like it. Minutes later, the film was taken from Richard’s hands and taken to a cheaper company: Miramax Films. After the success of “Aladdin”, the people at Miramax asked Saturday morning cartoon producer, Fred Calvert to finish the film as cheaply and quickly as possible, and make the characters more interesting.  Even worse, add musical numbers. Fred and team used footage from the unfinished film and combined with new animation that looked very bad compared to the beauty of the original film. Two silent characters, the thief and tack, were given voices. They hired comedian Jonathan Winters to voice over the thief as if he were thinking throughout

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